Welcome to foam:e – Issue 17

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Welcome to foam:e Issue 17.

Anne Kilner. Bruny Island.We hope you enjoy this issue of foam:e. Such a strange world has manifested since issue 16.

Notes from the editors…

Angela:

The seventeenth issue of foam:e is finally published fourteen months late after what must have been a strange year for just about everyone. For me it was by turns both harrowing and blissful.

In early 2020, in what is now a different world, I took up a printmaking residency in Belgium but when the borders started to close and with Australia not accepting back its citizens we took shelter in the West of Ireland. Here I met the Hungry Hill Writers and as the months advanced took up brisk sea swimming and hill walking. I am grateful for the wonderful welcome of Ireland. In this issue you will find poets from Hungry Hill Writers: Maxine Backus, John Baylis Post, Anne O’Carroll, Julie Aldridge, Stephen Martin, Sheila O’Neil and Jennifer Russell. There is also a poem from Jena Woodhouse about this very special place.

There are some changes going forward. First of all, a warm welcome to Kerry Kilner who brings new energy, literary scholarship and technical expertise to our editorial team.

We hope to look at all the submissions that came in during the 2020/21 submission window and publish Issue 18 around the middle of this year. Thank you to all the authors who entrusted their work to us we will be in a position to read and select the poems for issue 18 soon. So 2021 should be a year with more than one issue. Submissions will then open as usual September 1 until November 30 2021 for next year’s issue 20.

Carmen Keates anchors our editorial team in Australia but Angela Gardner and Kerry Kilner will be based overseas. Because of this the PO Box is no longer active and so anyone wanting a review of Australian poetry books should first let us know by email at foame.editor@gmail.com

Carmen:

Some people deal with stress by throwing themselves into their work, and others by taking to their bed, and well before the start of 2020 I had become the latter. Although 2020 was obviously the ‘hard’ year for the global community, my family’s ‘hard’ year was actually 2019.

We had a catastrophic series of health emergencies. I can’t tell you how many times I accompanied someone in an ambulance in 2019, how many times I stayed up overnight helping someone to the bathroom and back to bed, how many times we waited in hospitals all day to see a doctor that never emerged. My family’s 2019 left us all literally, physically exhausted, as well as feeling deeply hopeless, and guilty for not handling things better, with a frighteningly vivid insight into our limitations. It also provided us, within our little group, new knowledge of each of our different strengths and powers. We knew how to deploy each other for different types of missions, and who NOT to ask. This little bit of new knowledge, group coping knowledge, was hard won.

By the time COVID happened, I was in an automatic “no, thank you” stance to taking on any outside challenges at all. Although in terms of writing—I always need to write, and did throughout the whole period—I never tried to build anything, or edit anything, as that was too hard, too much like an individual coping, which I definitely wasn’t.

So foam:e was put on the backburner in a semi-permanent way that was initiated by what Angela was going through and confirmed by my inability to focus or engage… on the computer. I also just needed privacy, and in an environment where you were expected to ‘try’ all the time to stay connected by being on the computer, I felt sickened at this entire situation that had brought outside work into my home, my bedroom, my kitchen, my nights.

I am so glad to see this 2020 issue of foam:e finally emerge. Apart from the special Irish cadre of poets with whom Angela became connected, the poems in this issue are from the submission window that was open September-November 2019, before COVID.  To everyone who had tried to contact us, my sincere apologies. To everyone who has waited so long, thank you.

Kerry:

I’m delighted to be joining Angela and Carmen as co-editor of foam:e. Although I’m not a poet, I’ve watched foam:e persist over its 17 year history and continue to publish some of the best contemporary poetry around. With another hand on the helm we’re looking forward to increasing foam:e’s profile in Australia and internationally. When the land you’re in takes its poetry seriously, we’re bound to be inspired to expand our horizons.

NB – A note about the author biographies: we are aware of a little glitch in the linking to the biographical statements directly from the poems. This will be fixed shortly. To find out more about the authors, simple search the page for their name from the author page.

Photo credit. Anne Kilner Bruny Island

April 2021

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Issue 16 Editorial by Angela Gardner and Carmen Leigh Keates

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Welcome to another edition of foam:e!

It’s another bumper issue, packed with poems and reviews.

Languages play  a crucial role in people’s daily lives. The United Nations General Assembly has declared 2019 the International Year of Indigenous Languages (IY2019) to raise awareness. In Australia, of the estimated original 250 Aboriginal and Torres Strait Islander languages, only around 120 are still spoken. Of these approximately 90 per cent are endangered.

If you’d like to do something for poetry and Indigenous Languages then Red Room are still hoping for donations. Red Room Poetry’s Poetry in First Languages project just raised $6000 via the ACF Crowd funding campaign but they didn’t reach their $20,000 target so you can still donate directly just click on

the link for more information 

IY2019 is an opportunity to continue raising awareness and taking further actions to improve preservation and promotion of Australia’s Aboriginal and Torres Strait Islander languages. Why not check out this Australian Institute for Aboriginal & Torres Strait Islander Studies playlist on Spotify and get some Indigenous Australian music in your ears!

We are very pleased to be bringing you a review of Lisa Bellear’s Aboriginal Country in this issue, written by Dr Estelle CastroKoshy, a French scholar who has been working with Indigenous Australian writers, performers, and filmmakers, for over 15 years. Check out all of the reviews here

As always there were many books that we didn’t manage to get to in the Reviews section. All are well worth a look, including…

I Love Poetry, Michael Farrell, Giramondo

Joao, John Mateer, Giramondo

Poor Man’s Coat: Hardanger Poems, Kit Kelen, UWA Publishing

Open Door, John Kinsella, UWA Publishing

Aqua Spinach, Luke Beesley, Giramondo

Broken Ground, Steve Armstrong, UWA Publishing

Green Shadows and Other Poems, Gerald Murnane, Giramondo

The Bright and the Cold Selected Poems of Anne Elder, Lauranton Books

Legacy, Julie Watts,  UWA Publishing

Moonlight on Oleander Prose Poems, Paul Hetherington, UWA Publishing

Legacy, Julie Watts,  UWA Publishing

Satan Repentant, Michael Aiken, UWA Publishing

Green Dance Tamborine Mountain Poems, Jena Woodhouse, Calanthe Press

Renovating Madness, Karen Knight and Liz McQuilkin, Walleah Press

 

There’s a lot going on in Australian poetry! And lots for you, the reader, to explore and enjoy in this issue of foam:e.

Click here to read the whole issue, or Poetry, or Reviews

Happy reading

Angela Gardner and Carmen Leigh Keates

Editors

Dydd Dewi Sant – March 2019

 

More information from The Australian Institute of Aboriginal and Torres Strait Islander Studies can be found using the link below. (AIATSIS is an independent Australian Government statutory authority).

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Issue 15 Editorial by Angela Gardner and Carmen Leigh Keates

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Welcome to the fifteenth edition of foam:e and our wonderful new look! We’re already getting accolades from our authors so a huge thank you and shout out to Maria from Intermingle in Perth for designing the new site and getting it up and running including getting all the past Issues loaded onto the new site. This new-look foam:e site also improves the manageability of our submissions process and that will be noticeable from 1 September when our next window opens. Images for this issue are of Iceland and are by Jane Yule.

It’s another bumper issue, packed with poems, reviews, and an interview. Among the poets published in this issue congratulations to Elaine Leong for her shortlisting in the Peter Porter Poetry Prize.

The interview by Carmen Leigh Keates of poetry critic and editor Martin Duwell ranges thoughtfully over the issues of writing reviews and the relationship between publishers and authors. Duwell was the main editor behind Makar Press, which published the classic Gargoyle Poets chapbook series during the 1970s, and he was also one of the Queensland Literary Awards judges for many years, making him one of the very few people who can say that during those years at least, he had read almost every book of poetry published in Australia. His reviews website can be found here.

 

Thank you to the publishers and authors who sent books to us to review, you will find a good selection of reviews in this issue. However as always there were many books that we didn’t manage to get to in the Reviews section. All are well worth a look, including…

 

The Honeymoon Stage, Oscar Schwartz, Giramondo, 75pp

The Metronome New Poems, Jennifer Maiden, Giramondo, 80pp

A Personal History of Vision, Luke Fischer, UWA Publishing, 100pp

Flute of Milk, Susan Fealy, UWA Publishing, 76pp *winner of the 2017 Wesley Michel Wright Prize for Poetry*

Snake Like Charms, Amanda Joy, UWA Publishing, 118pp

Charlie Twirl, Alan Gould, UWA Publishing, 103pp

Communists like us, John Falzon, UWA Publishing, 116pp

Preparations for Departure, Nathanael O’Reilly, UWA Publishing, 110pp

Passage, Kate Middleton, Giramondo, 117pp

Bone Ink, Rico Craig, Guillotine Press

Fingertip of the Tongue, Sarah Rice, UWA Publishing, 144pp

Chromatic, Paul Munden, UWA Publishing, 165pp

Anecdotal Evidence, Gaylene Carbis, Five Islands Press

Brink, Jill Jones, Five Islands Press

These Things are Real, Alan Wearne, Giramondo, 126pp

Lunar Inheritance, Lachlan Brown, Giramondo, 86pp

Dark Convicts, Judy Johnson, UWA Publishing, 138pp

The Blue Decodes, Cassie Lewis, Grand Parade Poets, 102pp

Skin Notes, Kristen Lang, Walleah Press, 116pp

Homing, Shevaun Cooley, Giramondo, 107pp

Afloat in Light, David Adés, UWA Publishing, 128pp

Anecdotal Evidence, Gaylene Carbis, Five Islands Press 85pp

ô horsey, Christopher Barnett, Wakefield Press, 290pp

The Alarming Conservatory, Corey Wakeling, Giramondo Poets, 69pp

The Flaw in the Pattern, Rachael Mead, UWA Publishing, 96pp

Walking with Camels – The Story of Bertha Strehlow, UWA Publishing, 150pp

Wildlife of Berlin, Philip Neilsen, UWA Publishing, 106pp

The Sky Runs Right Through Us, Reneé Pettitt-Schipp, UWA Publishing, 118pp

 

There’s a lot going on in Australian poetry! And lots for you, the reader, to explore and enjoy in this issue of foam:e.

Click here to view the full issue or:

Poems

Reviews

or Interview : Martin Duwell

 

Angela Gardner and Carmen Leigh Keates

Editors

Dydd Dewi Sant – March 2018

photo credits Jane Yule ‘Iceland’

 

 

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